How many lines fit on a page in Microsoft Word? how many lines on a page single spaced.
in “Twelfth Night” Total: 121.
in “Twelfth Night” Total: 118.
Viola is the character in Twelfth Night who is most constant and truthful with her emotions. … While Viola has to remain untruthful about her identity, she is surprisingly true to herself in the end. She eventually realizes how she truly feels and decides to act on it at the end of the play.
Viola laments the loss of her twin brother, Sebastian, in the shipwreck. … Despite his former rejection, Orsino sends his new page Cesario (Viola in disguise) to court Olivia for him. Cesario/Viola fell in love at first sight with her master Orsino, so she goes to court Olivia unwillingly.
Viola then reveals that her real identity is hidden by “masculine usurp’d attire”; she is Sebastian’s lost twin sister, and she can prove it by taking them to the home of a sea captain who knows of her disguise and is keeping her women’s clothes for her; however, they must produce Malvolio because he has been holding …
Olivia Makes a Confession She asks if Cesario can look beyond her dishonesty and see that she is taking a risk by telling him that she loves him. … Olivia finally says that she will not waste any more time loving him and that when he is old enough to love a woman and get married, his wife will be very lucky.
For most of the play, prose and verse signal differences of privilege among the characters. … The noble-born Orsino and Viola speak in verse (which end in rhyming couplets) while Maria, Sir Toby, and Sir Andrew speak in prose. However, once Viola has disguised herself as Cesario, she speaks both verse and prose.
Where will I find it in Twelfth Night? 40% of Twelfth Night is written in verse, so more than half the play is in prose. You can tell whether prose or verse is being used by looking at the page in the text.
The verse form he uses is blank verse. It contains no rhyme, but each line has an internal rhythm with a regular rhythmic pattern. The pattern most favored by Shakespeare is iambic pentameter.
An aristocratic woman, she is tossed up on the coast of Illyria by a shipwreck at the beginning of the play and disguises herself as the pageboy, Cesario, to make her way. Throughout the play, Viola exhibits strength of character, quick wit, and resourcefulness.
Role in the play In the beginning, Viola is found shipwrecked on the shores of Illyria and separated from her twin brother, not knowing whether he is alive or dead, the Sea Captain tells her that this place is ruled by the Duke Orsino, who is in love with Countess Olivia.
Sebastian is the twin brother of Viola. After the beginning of the play, Viola mentions that her brother Sebastian is drowned in the sea. The next appearance of Sebastian denies this, as he has been rescued by Antonio, a sea Captain who looks after Sebastian at some risk to himself.
While he is a great source of comedic relief, Sir Andrew is mocked by his friends, and is unsuccessful in getting Olivia to love him. He eventually leaves before the end of the play, with less money and no love.
What country has Viola arrived in? What happened that brought her there? Viola arrived in Illyria. She “washed ashore” on a ship.
Orsino is not in love with Olivia in any genuine way. It’s more accurate to say that he is in love with the idea of being in love—that is, he enjoys behaving like Olivia’s lover, rather than actually loving her. This is why Olivia’s lack of interest in Orsino has…
Character nameCharacterNameSORTLine countVIOLA, a shipwrecked lady, later disguised as CesarioVIOLA, a shipwrecked lady, later disguised as Cesario335PAULINA, wife of AntigonusPAULINA, wife of Antigonus332MARK ANTONY [Antonius]MARK ANTONY [Antonius]
Olivia rebukes Malvolio for his “self-love” and says that Feste’s insults are only “birdbolts” that do no damage (I.v. 77–79 ).
In Twelfth Night, Viola dresses as the male Cesario in order to gain entry into Orsino’s court. In Elizabethan England, women were not allowed to act professionally, and female parts were all performed by men, so Viola would have actually been played by a male actor, dressing as a woman dressing as a man.
Was there really a woman named Viola De Lesseps and might Shakespeare have had an affair with her? No way. … In truth, Rosaline is one of Shakespeare’s fictional characters, the unseen woman in “Romeo and Juliet” who gilts the young man before the play begins and thus, in some ways, sets the story in motion.
Orsino seems interested in marrying Viola for two reasons. The first reason is that he has already been impressed by the devotion and fidelity she showed while disguised as his page. … Orsino is impressed by Viola’s courage and intelligence, especially once he learns she’s a woman of nobility.
Malvolio gives Cesario the ring that Olivia has sent with him, rebuking him for having left it with Olivia. Viola realizes Olivia’s deception and plays along with it, pretending that she did indeed give the ring to Olivia.
Olivia eventually comes to the conclusion that she must marry him. However, in a case of mistaken identity, she marries Viola’s twin brother, Sebastian. … It is here that Olivia and Sebastian are hastily married, Viola and Sebastian rediscover each other, Malvolio is rescued, and Orsino proposes to Viola.
In Twelfth Night, Orsino marries Viola because he falls in love with her during her time disguised as his male servant Cesario. He appreciates her resourcefulness, loyalty, courage, and brains.
Viola rejects Olivia Olivia thinks it is the messenger’s pride that is stopping ‘him’ from loving a woman of higher social status. Viola tries to be truthful with Olivia without revealing her true identity, telling her ‘I am not what I am’ and that she can never love a woman.
Expert Answers In Shakespeare’s Twelfth Night, Sir Andrew is the “foolish knight” who has come to woo Olivia at her kinsman Sir Toby’s suggestion. Sir Andrew is wealthy, and Toby wants to set himself up so he can stay on at Olivia’s house indefinitely.
What does Sir Toby say they’re going to do to Malvolio? They are going to tie him up and lock him in a dark room.
Malvolio mostly speaks in prose.
Olivia speaks in both prose and verse, depending on who she is speaking to. Orsino, on the other hand, speaks mainly in verse. Shared lines: Sometimes Shakespeare had two characters share the ten syllables that make a line (as Cesario (Viola) and Orsino do on the right).
Act Three, Scene One starts in prose between Viola/Cesario and Feste, and when the clown exits, Viola’s soliloquy is verse. Enter Sirs Toby and Andrew, and we’re back to prose, but when they leave and Olivia enters, the dialogue through the end of the scene is in verse.
Here’s the deal: once you get comfortable with Shakespeare’s voice, you see that Twelfth Night is completely doable. Compared to other Shakespeare comedies, the plot is pretty straight forward. … If you can follow the dramatic love triangles that unfold every day at your school, you can read Twelfth Night. Seriously.
For example, Orsino speaks about love using the traditional language of courtly love, using verse or poetry. On the other hand, Malvolio speaks almost entirely in prose, even when talking about his love for Olivia. … Both of them can be found in Twelfth Night, particularly when characters are talking about love.
Prose is the term for any sustained wodge of text that doesn’t have a consistent rhythm. Poetry or verse is different: verse has a set rhythm (or meter), and it looks distinctive on the page as the lines are usually shorter than prose.
Twelfth Night. TN I.iii.53. You mistake, knight. ‘ Accost ‘ is front. You mistake knight: Accost, is front.
Twelfth Night can be considered a model Shakespearean comedy in that it employs nearly every feature of the genre: a wedding, mistaken identities, misunderstandings, physical comedy, and a happy ending.
Lady Olivia is a supporting character in Amphibia. She is a Newt who lives in Newtopia.
viola, stringed musical instrument, the tenor of the violin family. It is built in proportions similar to those of the violin but has a body length of 37 to 43 cm (14.5 to 17 inches), about 5 cm (2 inches) longer than a violin. Its four strings are tuned c–g–d′–a′, beginning with the C below middle C.