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Contents
Handel’s Messiah is an oratorio in three parts with 53 separate movements.
The ‘Hallelujah’ chorus is one of the most famous pieces of Baroque choral music and the most widely known section of the work. Though it was originally written for Easter, Handel’s eminently singable Messiah has also become a mainstay of the festive season.
| Messiah | |
|---|---|
| Period | Baroque |
| Genre | Oratorio |
| Text | Charles Jennens, a compilation from the King James Bible and the Book of Common Prayer |
The Messiah is divided into three main sections: the prophecies about the coming of Jesus, the Messiah, and the nativity. the suffering of Christ and his death. the Day of Judgement and redemption for all.
Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Coverdale Psalter, the version of the Psalms included with the Book of Common Prayer.
How long is Messiah? The complete oratorio is approximately two hours and 20 minutes, but with applause and two brief intermissions, it is closer to two hours and 45 minutes.
There is a tradition that audience members stand up for the Hallelujah chorus towards the end of Handel’s Messiah and this custom is still normally observed.
They were drawn from three parts of the Bible: Old Testament prophesies of the Messiah’s birth; New Testament stories of the birth of Christ, his death, and his resurrection; and verses relating ultimately to Judgment Day, with the final chorus text drawn from the Book of Revelation.
In 1735, during Lent alone, Handel produced more than 14 concerts made up primarily of oratorios. In 1741 Dublin’s Lord Lieutenant commissioned Handel to write a new oratorio based on a biblical libretto assembled by art patron Charles Jennens.
NPR music commentator Miles Hoffman estimates there are roughly a quarter of a million notes in Messiah. At a little more than three weeks of 10-hour days, Hoffman said that means Handel would have had to keep a continuous pace writing 15 notes a minute.
Hear What Makes The ‘Hallelujah Chorus’ So Great The “Hallelujah Chorus,” from George Frideric Handel’s Messiah, is such an iconic piece of music — and is so ingrained as a Christmas tradition — that it’s easy to take its exuberance and its greatness for granted.
Part II covers the Passion in nine movements including the oratorio’s longest movement, an air for alto He was despised, then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection.
Dynamic change After the bright “Hallelujah” opening carries on for some time, there’s a volume drop and a mood change, which is immediately preceded by horns and a forte volume. When the voices sing “The kingdom of this world is become”, we get a four-part chorale-like setting.
Hallelujah Chorus (from Handel’s Messiah) is a song by George Frideric Handel with a tempo of 99 BPM.
“He would literally write from morning to night,” says Sarah Bardwell of the Handel House Museum in London. The text was prepared in July by the prominent librettist, Charles Jennens, and was intended for an Easter performance the following year.
In Christian doctrine, Jesus is identified as the Messiah and is called Christ (from the Greek for Messiah). In the New Testament, Jesus is called Messiah several times, for example the Gospel according to Mark begins with the sentence “The beginning of the Gospel of Jesus Christ, the Son of God.” (Mark 1:1).
The “Hallelujah Chorus” is NOT a fugue, but it does make use of the procedures of a fugue, even if only briefly. It’s just another option a composer in the Baroque Era had.
Drawing from the Old and New Testaments, Handel designed it in three sweeping sections: Prophecy and Fulfillment, Suffering, and Redemption. Although religious, its message remains universal, and Handel intended it for the concert hall. Its theatricality is another reason for its popularity.
This brings us to the business of standing during that famous chorus, a tradition said to have begun in 1743, when King George II rose from his seat, enthralled by the beauty of the music. … So if standing during the Hallelujah chorus offers you that experience, go for it. ”
The composition of Messiah, the complete 260-page oratorio, began on August 22, 1741, and was composed in just 24 days, when Handel finished the final orchestration on September 14, 1741.
“Messiah,” George Frederic Handel’s great oratorio, has become a ubiquitous part of Christmas celebrations worldwide — and yet it was written for Easter. Only the first third of “Messiah” is about the birth of Jesus. Part II covers the death of Christ and the third is focused on the Resurrection.
Some believe the king was so moved by the music that he stood up to show his reverence. And, since it was considered good etiquette to stand when the king stood, the audience had to follow suit.
A standing tradition: Audience members usually rise to their feet when the famous “Hallelujah” chorus begins. Supposedly King George II was so moved during the London premiere of the Messiah that he stood and then everyone else in the theater followed so as not to offend him.
Melismatic music is the opposite of music where each syllable has its own note. In the “Alleluia Chorus” from Handel’s Messiah each syllable of the word “Alleluya” has its own note. … Handel uses the melisma to make it sound like someone shaking something. Melismas are used a lot in music from many different cultures.
- Overture 3:06. …
- Comfort Ye My People 2:45. …
- Ev’ry Valley Shall Be Exalted 3:25. …
- And the Glory of the Lord 2:46. …
- Thus Saith the Lord 1:26. …
- But Who May Abide the Day of His Coming? …
- And He Shall Purify 2:34. …
- Behold, a Virgin Shall Conceive 0:25.
He wrote the most famous of all oratorios, Messiah (1741), and is also known for such occasional pieces as Water Music (1717) and Music for the Royal Fireworks (1749).
‘The Four Seasons’ may well be his most famous piece, but Vivaldi wrote more than 500 other concertos for other instruments including mandolin, cello, flute, viola d’amore, recorder, and lute.
MessiahMovements53 in three partsScoringS A T B soloists and choir; instruments
quadruple meter: Johann Sebastian Bach (1685–1750), Orchestral Suite No. 3 in D Major, Air (“Air on the G String”) (1731). George Frideric Handel (1685–1759), Messiah, “Hallelujah” Chorus (1741).
Often synonymous with Christmas, the Hallelujah Chorus is really about Easter. Today, it will be sung by choirs and congregants alike, at churches across Houston.
The most famous piece in this oratorio, the Hallelujah chorus is an example of an anthem chorus. It combines both homophonic and polyphonic textures.
A particular aspect of Handel’s restraint is his limited use of trumpets throughout the work. After their introduction in the Part I chorus “Glory to God”, apart from the solo in “The trumpet shall sound” they are heard only in “Hallelujah” and the final chorus “Worthy is the Lamb”.
Terms in this set (13) Which best describes the relationship between the voices (the texture) when they enter in the opening section singing “Hallelujah”? … The first one minute and fourteen seconds of the “Hallelujah Chorus” features a homorhythmic texture at the beginning that then becomes imitative.
Instruments are: oboe, bassoon, trumpet I and II , timpani, violin I, violin II, viola, cello and harpsichord / organ. You also are hearing a CHORUS of voices. Remember, the Baroque orchestra was smaller than the orchestra of today.